Notes on Queer Theory
by
Tony Michael Roberts
If you want to explore the postmodern
view
of gender/sexuality, a good place to start is by trying to listen
generously to Foucault's statement
that there were no homosexuals before about 1850. The acts which today
preform a queer identity were preformed before 1850 but they were not at
that time gerundic
in
relation to a distinct type of person. Being queer is a resistance
to a regime of power which had not fully formed much before 1850. Being
queer in 1800 would have been impossible for the same reason that being
an anti-communist would have been impossible in 1800. Queer
discourse is a counter-discourse creating a site of resistance to the medical
regime of power which takes sodomy as the gerundic expression of a pathological
state of being. Before this particular
regime became the primary system of control regulating the constitution
of sexual identities, being queer was not a possiblity and neither was
being homosexual. One becomes homosexual by thinking of oneself within
the regime that creates rigid categories of sexuality and queer by resisting
this regime. In both cases, subjective experience is modified by the objective
state of affairs. None of the ancient Greeks were either homosexual
or queer, not even Sappho.
The postmodern approach to gender/sexuality
defines the acts performative of gender/sexuality as being fixed in their
meaning by contingent regimes.
At
the rupture points between regimes, possible ways of defining oneself
cease or come to be. Gender/sexuality is an artifact of the regime of power
which regulates gender/sexuality. It is in this sense that our discourse
about gender/sexuality is a performative
in
the same strict sense as the statement "I swear to ''''" is a performative
utterance, making itself true in the moment of the swearing. In both cases,
saying is a doing and become becoming bound to a particular characterization.
Our performance of gender/sexuality is an expression
which creates the thing expressed. This is the origin of self-knowledge
or gender/sexuality as
subjectivity. This subjectivity is imbricated
within a discourse about gender/sexuality which creates its own object
as knowledge. The narrative element comes when we think of discourse and
counter-discourse, interpollation or resistance, as stories told and stories
told about those stories by some of the people those stories are about.
See:
Foucault,
The History of Sexuality
Foucault, The
Use of Pleasure
Also see:
Judith Butler
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