Information & Materials

 

--Common Supplies:

 
 
 

#01 - Alizarin Crimson #02 - Burnt Sienna #25 - Lamp Black (or Ivory Black) #31 - Oxide of Chromium
#30 - Phthalo Blue #33 - Prussian Blue #35 - Raw Umber #37 - Sap Green #40 - Titanium White #44 - Yellow Ochre #60 - Cadmium Lemon

 

 

Oil Paints
Most art supply stores sell many different brands of oil paints. I use Winsor & Newton Oil Paints, but others from well-known companies should also be fine. Some brands are very expensive, so I encourage you to shop around. Of course, the most expensive oil paints will also tend to have the best quality and balance of oil, pigment, and additives.

The price difference between standard oil and acrylic paints is really not that much. For beginners, acrylics will probably be the least expensive medium to learn and gain more practice. I used acrylics for three years before switching to oil painting. Unlike oils, one can very easily use water to clean their brushes. However, it really is a matter of preference.

Although you will tend to use different colors for each painting, I have listed some essential oil colors to buy.


 

 

 

 

 

 

Brushes
I recommend using at least 5 different types of brushes. Some of the popular brush styles:
1. Filbert - Slight rounded shape, making this brush very controllable. Great for painting clouds.
2. Flat - The ones with longer bristles are great for blending and softening.
3. Round - Many different styles and purposes. I use a pointed round brush for just about anything. Great for sketching.
4. Fan - Great brushes for painting vegetation. Also useful in blending.
5. Liner - For painting extreme detail and the sharp edges of buildings, these brushes are great. I use them to sign my name.
6. Large Size - These bristle brushes may range from one inch and higher. Since my paintings are not large, I use a 2-inch brush. Very helpful in painting clouds and skys, including vegetation.


  Other Materials
1. Paint Thinner - Essential for cleaning brushes. I use Weber Martin Odorless Turpenoid, a turpentine substitute, because it comes in large quantities.
2. Painter's Palette - Variety of surfaces including metal, plastic, and wood. A nonabsorbent paper plate is also sufficient for a quick indoor painting.
3. Canvas - Usually acrylic and oil painting primed. I use flat canvas pads from many different manufacturers. Some standard sizes include 8x10, 9x12, 11x14, 12x16, 14x18, 16x20, 18x24...

 

4. Soft Charcoal Pencil - Useful to make rough sketches. Do not press hard on the painting surface.
5. Cloth - Essential for drying brushes. Strong paper towels may be substituted as well.
6. Studio or Table Easel - For those that want to paint with the canvas in a vertical position, an easel will be the best bet. I prefer painting on a flat table covered with newspaper. It depends on the individual.

-Helpful Advise :

An artist will likely be surrounded by some toxic material and fumes during oil painting. Since each person will react differently, use caution, and most importantly, comman sense! Pay special attention to any health label on products you buy. Good ventilation is essential during painting. Also, wash your hands.

Plan the picture before starting to paint. Of course, even then I sometimes end up with a very different picture from the design originally intended! A pencil sketch can be very useful in the planning process, especially when painting scenes with complex objects and structures. Remember that when exposed to air, acrylic paints dry quickly. For this reason, start blending as quickly as possible. Oil paints dry slower in comparison. In oil painting, the drying process can be made slower with the use of a substance like liquid clear.

For a brief guide in painting a landscape within a matter of hours, visit my painting guide. With landscapes, I paint using layers. If possible, add the background colors first before painting any detailed objects. Use cool colors like blue to indicate shadows and distant mountains. Warm colors such as ochres and yellow are often used for illumination. Using black as a background color is very helpful in painting grasses, land, and trees. Slightly adding a color such as green before the black is fully dried enhances blending, and increases the realism of vegetation later on.

Obey the rules of perspective when painting any realistic picture. This is very important! The edges of buildings should appear to converge at certain vanishing paints. Also remember the correct positioning of various structures in relationship

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


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